STYLISTIC STUDY OF REPORTAGE “CHEHRE AUR MOHRE”

رپورتاژ چہرے اور مہرے کا اسلوبی مطالعہ

Abstract

This article presents a stylistic study of Masood Mufti’s renowned reportage ‘CHEHRE AUR MOHRE’, a work that records the historical and emotional realities of the Fall of Dhaka in 1971. Masood Mufti, a distinguished Pakistani civil servant and writer, is widely recognized for his bold expression, critical insight, and literary craftsmanship. In ‘CHEHRE AUR MOHRE’, he documents his personal observations of the political collapse, military operations, and human suffering that accompanied the disintegration of Pakistan. Unlike conventional historical accounts, Mufti’s reportage blends factual narration with a highly literary diction, offering a unique stylistic fusion of journalism and literature. This paper analyzes the author’s stylistic choices, such as the use of metaphorical imagery, poetic rhythm, and carefully chosen Persian, Arabic, and English vocabulary, which enrich the narrative texture of the text. His objective tone, combined with vivid descriptions and emotional intensity, reveals a style that is both realistic and artistic. Furthermore, the study situates the reportage within the broader tradition of Urdu reportage writing, highlighting how Mufti redefined the genre by merging eyewitness testimony with literary aesthetics. Ultimately, this reportage emerges not only as a historical testimony but also as a stylistic masterpiece that reflects Mufti’s literary genius and his ability

to transform national tragedy into enduring art.