معاصر بلوچستانی نظم میں شعری آہنگ کی متغیر اشکال

Abstract

In Urdu poetry, the theme of rhythm (Ahang) is highlighted very briefly under the umbrella of metre (Urooz) however a serious and detailed study of this poetic element has not been seen so far. In both respects, couplet and poem, rhythm is a basic component of poetry. In this paper, an attempt has been made to separate rhythm from metre, further its different forms have been devised and in the discussion on these forms, an attempt has been made to raise the point that how a serious study of rhythm leads to addition in the meanings in the poem. Especially in the contemporary Baluchistan’s poem, rhythm is included as an X-factor, which can be clearly exhibited in the poems of the poets of the region.