Making the Inconspicuous, Manifest: Aesthetics of the Bedouins
Abstract
The research is aimed at exploring the aesthetics of a race that dwells in the region which is the cradle of Islam, habitants of which are generally labelled as uncouth and uncivilised. First half of this paper hence, strives to determine status of the race, probing the ethnicity of people that can rightly be entrusted the sobriquet, Bedouins. While the second half scrutinises about their sense of beauty and creativity by contemplating the annals of history, considering in mind that beauty and creativity are instinctive in man which is hard to be eluded. Religious chronicles and historical facts both are probed about contextually in this respect. Deciphering consequently that art is a human instinct, with which man cannot depart, although it is not one of his basic needs. But being instinctive its outlet emerges at once in propitious circumstances, and tries to peep out in the unpropitious.Publication of material in the journal means that the author assigns copyright to Islamic Studies including the rights to electronic publishing. This is, inter alia, to ensure the efficient handling of requests from third parties to reproduce articles as well as to enable wide dissemination of the published material. Authors may, however, use their material in other publications acknowledging Islamic Studies as the original place of publication. Requests by third parties for permission to reprint should be addressed to the Editor, Islamic Studies.