لاهور في قصص غلام عباس .. قصتي" اوور کوٹ: المعطف" و " کتبه: اللافتة" نموذجًا
Lahore in the Stories of Ghulam Abbas, "Overcoat: and “Katbah”: As Example
Abstract
This paper examines the selected work of Pakistani novelist and writer Ghulam Abbas, focusing on his profound engagement with the urban landscape of Lahore. Contrary to the notion of narrative world size dictating authorial success, Abbas demonstrates how meticulous artistry within a seemingly confined milieu – the city itself – can achieve global resonance. Drawing on his intimate understanding of Lahore's joys, sorrows, triumphs, and struggles, he masterfully depicts its complexities, particularly the harsh realities the working class faces. Through insightful portrayals of "Overcoat" and "Katbah", he sheds light on the city's inherent cruelty towards its inhabitants, forcing them to navigate a painful coexistence with societal disparities. His bright descriptions of bustling crowds, towering buildings, and the relentless pulse of commerce paint a poignant picture of urban life, emphasising the psychological pressures it exerts on ordinary individuals. The unattainable aspirations of the urban poor to bridge the chasm between their lives and those of the city's elite further underscore the stark realities of class division. By delving into the specificities of Lahore, Abbas transcends mere localism, offering a universal exploration of the human condition within the urban experience. His masterful depiction of the intricate relationship between the individual and the environment provides valuable insights into the psychological and social dynamics of modern city life, ultimately establishing his work as a testament to the transformative power of literary art rooted in deep locality.
It is a condition of publication in this journal that authors assign copyright or license publication rights of their articles to the Islamic Research Institute, International Islamic University,Islamabad. This enables IRI to ensure full copyright protection and to disseminate the article, and of course the journal, to the widest possible readership in print and electronic formats as appropriate. Furthermore, the authors are required to secure permission if they want to reproduce any figure, table, or extract from the text of another source. This applies to direct reproduction as well as "derivative reproduction" (where you have created a new figure or table which derives substantially from a copyrighted source).